Showing posts with label heterosexism. Show all posts
Showing posts with label heterosexism. Show all posts

Monday, May 27, 2013

Considering Mark Carson, Homophobia & Homophobic Violence

Mark Carson Memorial, Greenwich Village
Makeshift memorial for Mark Carson,
6th Avenue & 8th Street
I have been thinking about the recent horrific spate of anti-gay attacks in New York City, including one last night in Hell's Kitchen, and perhaps most specifically about the murder of Mark Carson, a young, African American gay man, who was pursued up a main Greenwich Village street, 6th Avenue, and shot to death in broad daylight. The attacks come as national public attitudes, at least as expressed by polls, suggest an ever-increasing acceptance of lesbian, gay, bisexual and transgender people, and same-sex marriage, especially among younger people. They are occurring at a moment when the President of the United States has repeatedly and openly expressed gay-friend and non-homophobic sentiments, including in his second inaugural address (preceded by an out latino poet, Richard Blanco, delivering the inaugural poem), and most recently at his otherwise controversial graduation address at the prestigious, historically black all-male Morehouse College, which has had its own issues with sexual orientation and difference. We have just had the first male athlete actively playing for a major league team sport, black basketball player Jason Collins, publicly come out, and this weekend, another out gay male athlete, the white soccer player, Robbie Rogers, resumed major league team play for Major League Soccer's L.A. Galaxy. These assaults also are occurring at a moment when one of the leading candidates to become mayor of New York, Christine Quinn, is a corporate-friendly out white lesbian, and another, white Democrat Bill DeBlasio, is married to a black woman who had previously outed herself publicly in the pages of Essence several decades ago. Same sex marriage is now legal in Minnesota and Rhode Island, bringing to a dozen the states and federal districts where nuptial equality has advanced (and, with France's legislative adoption of same-sex marriage, 14 countries across the globe).

This is thus hardly a moment of post-queerness, just as it is hardly a moment of post-raciality or post-racism (or post-classism, post-feminism, post-ideology, etc.). Nor have homophobia, heterosexism, heteronormativity disappeared. We still have many mainstream religions, one of the country's two major political parties, a range of public and private institutions, and the law itself upholding an anti-gay ethos. Yet we nevertheless are living in an era we have never before experienced in this country, nor globally that matter, of widespread queer visibility, perhaps queer hypervisibility, which is to say, out queer people are increasingly present, representing and represented, everywhere, queerness itself, in and as discourse, is widely and actively produced, and the ways that this visibility, and the onward march of equality of all kinds--though primarily social equality--are transforming the society are sometimes difficult to apprehend even as we are living through them. And unlike during prior periods of queer visibility, such as the immediate post-Stonewall period or during the HIV/AIDS pandemic, though negative discourse about homosexuality still circulates and enacts considerable violence, it does so in a changed and changing environment in which some of the key negative tropes and figures of the past (that homosexuality is a sickness or disorder, that AIDS is a gay disease leading to certain death, etc.) are not always or no longer dominant. Moreover, queer representations proliferate. If the official ones, from Hollywood and the legacy TV stations continue to be narrow in terms of race, gender, class, religion, and so forth--to represent queer America, and the world, as homonormatively young, abled, educated, privileged upper-middle-class white men, mostly, and women--increasingly a wider array of representations are also out there, across an array of media, offering anyone who looks (or seeks not to) a glimpse into the far broader and more vibrant imaginaries that exist. We still have a ways to go to present the richest portrait of ourselves, but we are further along than we once were. If it was possible once to say I have never seen or known an LGBTIQ person or I had never seen an LGBTIQ person who looks like me, that is becoming ever rarer. It is still possible, but less so with each passing day.

Mark Carson Memorial, Greenwich Village
Makeshift memorial for Mark Carson,
6th Avenue & 8th Street
It is this visibility, this hypervisibility of difference and semblance, and the self-legibility that they enable, that I think are at the heart of these attacks, and the best response, it strikes me, is to continue to increase visibility, to fight for it, to push whatever the short-term costs, because the long-term victory will be to recast and transform, if not fully eliminate, the conditions under which homophobia and heterosexism can function. (This is one of the key insights and grounds for the utter importance of the International Day Against Homophobia, Biphobia and Transphobia--IDAHOBIT, which takes place every May 17.) The homophobe is often unnerved by the embodiment of his (queer) desires, enraged by the visibility of their enactment and empowerment, in others, others' bodies. (I use the male pronoun throughout here though people of all genders manifest homophobia and heterosexism.) It unsettles him to see, to have to see, to not be able not to see not just a small band of abjected queers, onto whom he can project his disgust as a reflection of his desires, but an ever-increasing circle of queers, some of whom look like him, may be him, are him under other circumstances, whose desires and actions are not being self-regulated and self-policed out of visibility, or regulated and policed by the state or private institutions in the way they once were, out of visibility, who can present and represent and perform their queer subjectivities in ever freer and differing ways, ways he cannot bear to witness, because he may have to see them, look at them, read himself in them. Queer visibility destabilizes his own certainty, any certainty, his own invisibility, queers normativity and makes his own queer legibility that much more likely; it casts the light and reflection back on the homophobe, on the transphobe, because, as the old phrase goes, if you are secure in your sexuality (manhood, womanhood)--as if any sexuality is ever "secure,"whatever that means, as if "manhood" in particular were ever a stable or objective category--why are you getting so upset at what someone else is doing? We often get upset at what someone else is doing even if it has no negative effects on us or anyone else, or even the person doing the thing that upsets us, because we at some level are threatened, read our own actions, our own selves, in what we can barely bear, in what we condemn. This is not merely the epistemology of the closet but another kind of epistemology. What do we start to know if we look at others--and then look closely at ourselves?

And so we see the reactions, based on religion, based on ideology, based on strategies of biopower, based on legalisms, based on incoherence masquerading as a viable system or method of critique, against homosexuality, against gender instability, against queerness even if it is not and cannot be named as such. We see the actions and reactions, rhetorical, discursive, physical, against it. We see how a man (and his friend) pursues another man (and his friend) up a street, in a neighborhood known to be gay-friendly, a "gay" neighborhood, calls out to him and presses him about whether he (and his friend) is a "gay wrestler"--so specific, as if the embodiment of a "type" he may have seen or thought about or dreamt of, that frightens him--as a prelude to striking out, to killing that type, murdering the man who at that moment, in that moment, embodies that image. We see a young man harass another young man he sees coming out of a "gay" club, that he reads as gay, that he questions about being gay ("are you a faggot"?), whom he strikes in the jaw for seeming or being or performing as "gay," for being legible as gay, visible as gay, as a host of friends join in and attack the legibly gay man--what is the young man, what are the young men striking out trying to strike out? What do the bullies who torment queer young people hope to harass or embarrass or brutalize out of them--and themselves? What does the Family Research Council want to quash in its effort to quash everything that it even thinks is queer? What do Fred Phelps's church and its followers hope to achieve by protesting anyone and anything even seemingly connected with empathetic feelings towards anyone, let alone gay people? What are they trying to cancel out because they cannot bear to see--or see in themselves? Of course I am abstracting a great deal here; I am not talking about other fluid intersections, such as power in its multiple manifestations (inflection points), race and ethnicity (inflection points), gender (an inflection point), class (an inflection point), capital (an inflection point), and others. In fact I specifically have chosen not to take up questions of race and ethnicity, since I have noted on more than one online forum that commenters slide very readily and easily onto racist tracks (and tracts), though Jason Collins's coming out, like Mark Carson's murder, have thrown them for (a bit of) a (queer) loop.

Mark Carson Memorial, Greenwich Village
Makeshift memorial for Mark Carson,
6th Avenue & 8th Street
Perhaps this is too much (bad, tired, tiresome, shopworn) speculative psychologizing. I am not saying anything many people don't already know, though I must admit I haven't (yet) seen many people saying  this. But also perhaps as a black man, a black gay man from a working-class background who lives with the persistence of racism and homophobia and heterosexism and classism and sexism and other forms of political, economic and social violence, as someone who is always aware of history and histories and herstories that are suppressed or forgotten, as  someone who listened for most of my elementary and secondary school education to Catholic priests and nuns expatiate on the dangers of homosexuality even as I recognized the queerness in those same authority figures, as someone who is always trying, striving to be critically aware and stay aware, while living in the present and understanding it, I know that every success is hard won, is not permanent, is a paving stone on the vaster and longer road to a better place, and that simply supposing that there is an easy or obvious answer to issues like this is always problematic, but also that not looking carefully at what's going, especially with accumulated evidence before you, also is problematic. It is not enough simply to say the homophobes are staring into a mirror and trying to break it, or that they are peering through a window and disliking (and perhaps liking, and thus fearing) what they see. But that is part of it; more mirrors, more windows exist, proliferate. To wit, to see, to look, in the oldest sense of those terms, is to know. It is increasingly harder for any of us not to see, look, at ourselves, or look away, and also not have that other, that reflection, ours, not see us, not look back.

Thursday, May 17, 2012

International Day Against Homophobia + Donna Summer Passes

Today is International Day Against Homophobia and Transphobia (IDAHO), the global day set aside to battle homophobia, one of the persistent and pernicious forms of oppression affecting US and every other society across the globe. As the late Barbara Smith wrote in her essay "Homophobia: Why Bring It Up?" (The Lesbian and Gay Studies Reader, New York: Routledge, 1993), "Homophobia may well be the last oppression to go, but it will go. It will go a lot faster if people who are opposed to every form of subjugation work in coalition to make it happen."


I've posted several times over the years about this important day, its origins, and even interviewed the person, Francophone (Martinican) author, scholar and activist Dr. Louis-Georges Tin, who played a key role in helping to establish it. In light of the recent anti-civil rights vote in North Carolina, the denial of judgeship to a gay man, the murder of a transwoman in New York, the countless cases of bullying and abuse of lgbtq children, teenagers, and adults, and the continuing furor that has followed President Barack Obama's and Vice President Joseph Biden's positive comments about same-sex marriage, it's quite clear than in the US, at least, though we have come very far indeed, we still have a ways to go, and at the root of all the examples I lay out above are what Barbara Smith and many others for decades have identified as a foundational form of oppression: homophobia.

But homophobia (and its attendent kin, heterosexism and heteronormativity) aren't problems just in the US. All across the globe, often in the face of state and popular opposition and worse, people are battling homophobia, often inscribed as religious dogma or cultural norms or traditional values, even though in many cases these "traditions" are as much the result of historical and political formations, and in places like sub-Saharan Africa or Latin America, of colonial discourse and policies, as the "homosexuality" the reactionaries are fomenting against and labeling as alien.  So today and at various points throughout the year, visit the IDAHO site or affiliated sites, read up on the causes and effects of homophobia, transphobia and heterosexism, and do what you can toward eliminating these forms of subjugation and oppression. They destroy not just lesbian, gay, bisexual, transgender, and queer people, but ultimately the lives of everyone.

***

Taking a tip from the ever-on-it Reggie H., and after my longish tributes yesterday to Carlos Fuentes and Christine Brooke-Rose, I'm going to link to his great blog, Noctuary, which features a post on IDAHO and on Donna Summer, who died today of cancer at age 63. She was without a doubt the Queen of Disco, a trailblazer in a musical genre that played an important role in the emergent post-Stonewall gay and lesbian cultures, while also serving as one of the soundtracks for 1970s African-American and urban Latino and working-class White folks more broadly.  Summer, a native of Boston, received five Grammy Awards, and had a string of hits, including "Love to Love You, Baby," "Winter Melody," "I Feel Love," "Heaven Knows," "Hot Stuff," "Bad Girls," "Dim All the Lights," "On the Radio," "The Wanderer," and the unforgettable "Last Dance," from the corny movie (that I loved), Thank God It's Friday. As Reggie H. says, she and other disco artists were the forerunners of a number of other subsequent musical genres, and despite the public backlash against disco (which did not exist in my house, where we listened to her and Chaka Khan and Tavares and the Bee Gees and everything else from R&B and soul to jazz and fusion), disco's and Summer's influences are still thankfully with us.

At her peak Summer was an icon, with a powerful voice that could pack ten different emotions into a melody, a public persona that embodied desire and possibility, and a figure who seemed to function both within the world of her songs as well as outside them and the limits of the society around her.  I was too young to go to discos during her heyday, but I can vividly remember skidding around a roller-skating rink as her songs boomed from the loud-speakers. In her post-disco fame religious conversion stage, which coincided with the eruption of the AIDS pandemic, she openly espoused homophobia, turning on one of the very communities that had brought her to fame. It was a horrible shift, which ultimately damaged her career as well, but she eventually apologized for what she'd said and done. One of the things I always consider with someone like Summer is that her behavior should remind us that homophobia can exist inside all of us, even in those who have been friends and allies, even in those of us who are queer, and so today, let's remember Summer and raise a skate (or a toast) in her memory, but also let's vow to bury homophobia once and for all. One of my favorite Donna Summer songs, "MacArthur Park"-"I don't think that I can take it/cause it took so long to make it/and I'll never have that recipe again/Oh noooo" (how true those words were for her, though she never really did lose the recipe, even posting a chart topper in 2010 with "To Paris With Love"):