Showing posts with label Rigoberto González. Show all posts
Showing posts with label Rigoberto González. Show all posts

Tuesday, October 10, 2017

Random Photos

A few photos from the last month or so. More posts coming soon, I hope!

New School University, readying for an outdoor event
A worker at a construction site (Calvin Krime)
West Village
More booths being set up near New School University
"Global Media Activism"
I walked around an entire day with
this book in my pocket, like a talisman
Cabinet delivery (or disposal?),
West Village
Sidewalk (trash) display, West Village 
Observant meter, Newark
Amazon locker, Haynes Bldg, Newark
Erika L. Sánchez, MFA Associate Director
Rigoberto González & Ben Lerner
at Writers@Newark reading, September 2017
Outdoor performance, Military Park, Newark

Military Park, Newark
David Barclay Moore's debut novel
(& my new copy!)
"AFTWAY" NYC 
Examining records, 19th St., Manhattan 
Another view (at Academy Records) 
Workers on break, 19th Street
Near MoMA PS1
Lorca's view, Canal Street
From Renee Gladman's Prose Architectures (2017)

Thursday, January 12, 2017

Random Photos

Here are few photos from the last few months.  Scroll down to the bottom to see how the New York Post, and New Yorkers, responded to the New Year's Eve flub by Mariah Carey. Poor Mimi!

One of Kerry James Marshall's paintings,
now on exhibit at his Met Breuer
show, Kerry James Marshall: MASTRY

Profs. Marisa Fuentes and Deborah Gray White,
who co-edited (in record time) the
superbly executed Scarlet and Black:
Slavery and Dispossession in Rutgers
History
(Rutgers UP, 2016)
 at the public launch
last fall 
At a gallery on the Upper East Side
Outside the Grove Street PATH station, Jersey City
The Delmar Loop in St. Louis
Muslim Voices, a Rutgers-Newark AAAS-
sponsored program led by Prof. Zain Abdullah,
of Temple University, at the Newark Museum
One of the last episodes of this season of Empire,
featuring a reproduction of Edgar Degas'
"Miss LaLa at the Cirque Fernando," the subject
of my story Counternarratives "Acrobatique"  
Festive trees in the Manhattan
Financial District
Lower Manhattan, from the offices
of the Lower Manhattan Cultural Council
Artists at the offices of the Lower Manhattan
Cultural Council's residency site
Zuccotti Park, where Occupy NYC
took place, now glitzed up (again)
Poet, essayist and editor
Saeed Jone speaking on behalf of
his former teacher, Rigoberto González,
who was being honored at Poets House 
My amazing colleague
Rigoberto González
In the WTC Westfield Shopping
walkway, with a giant telescreen
in the background 
On the phone, in the WTC
Newark's gentrifying Halsey Street
New buildings in Newark 
Vintage car on campus 
The cast of Kaija Saariaho's
L'Amour de loin, at the Met Opera
Post-SantaCon Santa,
almost on the rails 
At the Rutgers-Newark MFA holiday
reading, party and book exchange 
Tonya Foster and David Barclay Moore
at the book launch for Robert F. Reid-Pharr's
Archives of Flesh: African America, Spain,
and Post-Humanist Critique
(NYU Press, 2016)
Robert F. Reid-Pharr (r) and his editor at
book launch for his new scholarly book
Archives of Flesh: African America, Spain,
and Post-Humanist Critique
 (NYU Press, 2016)
New York Post: "The Plot Against Mariah"

Saturday, October 04, 2014

Fall Classes Underway + Congratulations All Around

UPDATE: The Edward Baugh reading, scheduled for October 31, 2014 at Rutgers-Newark, has been canceled. I send Dr. Baugh my very best wishes for a swift recovery.

***

A few weeks month (!) ago I had a wonderful lunch with a senior colleague who was visiting the New York area. He teaches on the quarter system and so has had not yet begun his own fall schedule, and he asked how my classes were thus far, which made me realize that unlike in previous years, I haven't posted on or around the first day about the term's classes. As I noted a few posts ago, I have had a health challenge this summer that spilled into September, but I am feeling increasingly better, and do hope to post more regularly.

I am again serving as the Acting Chair of African American and African Studies, an enjoyable post, and having undertaken this post once, it is a lot easier and smoother the second time around. On of my favorite aspects of it involves planning events for the upcoming year, and thus far we have several events on the schedule, including the visit of the great Jamaican poet and scholar Edward Baugh on October 31 (it's Halloween, yes, but it worked best for his overall travel plans to the US), and next semester, scholar, poet and performer Rosamond  S. King on February 4 and the Kùlú Mèlé Dance & Drum Ensemble on February 11, 2015.

My course for the fall is my first graduate fiction workshop at Rutgers-Newark; thus far I have only taught undergraduate and graduate literature, reading and writing, and African American studies courses, so it is exciting to again be working directly with the MFA writing students, who are sharp, talented and hard-working. Each will be writing four stories, so I've geared my eyes up for a lot of reading. Our class discussion focus will be on short-story cycles/novels-in-stories/composite novels, so we're perusing stories, chapters and excerpts by a wide range of authors that include Sherwood Anderson, Sandra CisnerosJ. M. Coetzee, Jennifer Egan, Louise ErdrichKarl Taro Greenfield, Ayana Mathis, David MitchellGloria Naylor, and Nami Mun, to name just a few. It took me a few years to internalize all the novella reading-and-writing, so perhaps a novel-in-stories will be a possibility in the future, who knows?

***

Congratulations are in order to so many colleagues and friends on recent awards. I probably will be missing someone, so forgive me in advance.

Congratulations to my Rutgers-Newark colleague Rigoberto González on winning the Academy of American Poets' 2014 Lenore Marshall Prize for his highly praised and belauded collection Unpeopled Eden (Four Way Books, 2013).

Congratulations to my fellow Dark Room Collective member, Tracy K. Smith, on receiving the Academy of American Poets' 2014 Fellowship in poetry, adding her to a distinguished list of major American poets.

Congratulations to fellow CC poet Terrance Hayes on receiving a 2014 John D. and Catherine T. MacArthur Foundation "Genius" Fellowship for his acclaimed poetry and future promise.

Congratulations to fellow CC poet Ruth Ellen Kocher on being one of two winners of the 2014 PEN Open Book Award for her collection domina Un/blued (Tupelo Press, 2013); Nina McConaghy also won for her book Cowboys and East Indians (FiveChapters Books).

Congratulations to fellow CC poet Rickey Laurentiis on becoming the newest winner of the Cave Canem Poetry Prize; his collection Boy with Thorn was selected by Terrance and will be published in 2015 by the University of Pittsburgh Press.

and for two awards in which I had a hand:

Congratulations to poet Ed Pavlić, whose powerful manuscript Let's Let That Are Not Yet: Inferno I selected for the 2014 National Poetry Series, to be published in 2015 by Fence Books.

A belated congratulations to fellow CC poet and Chicagoan Ladan Osman, who received this year's Sillerman First Book Prize for African Poets from the African Poetry Book Fund. Her beautiful début collection The Kitchen Dweller's Testimony will be published by the University of Nebraska Press and Amalion Press in Senegal.

Congratulations also to poets Fred Moten and Claudia Rankine for making the National Book Award in Poetry long list! I'm sure there'll be many more congratulations for these and other friends soon!

Monday, June 23, 2014

"Mannahatta" Cited in HuffPost + Colleagues' & Students' Honors

A contemporary illustration showing Juan Rodriguez (holding pan)
establishing a trading post with Native Americans
on Manhattan Island in 1613. (Copyright © 
Charles Lilly Art
 and Artifacts Division, New York Public Library,
Schomburg Center for Research in Black Culture)
You never know what may appear in your email inbox, but unexpected good news is, at least for me, always welcome. I recently received some when Sandi Wisenberg, longtime co-director of Northwestern's graduate MA/MFA program, and literary advisor to TriQuarterly, wrote to say that my story "Mannahatta," which appears in Triquarterly'Issue 145, Winter/Spring 2014, was selected by Maddie Crum, for her Huffington Post list, "Read 15 Amazing Works of Fiction in Less Than 30 Minutes." With all the stories she quotes the opening line, and all are brief enough to take in, well, under half an hour. I'm always glad when my work merits some public acknowledgement, but I'm doubly happy that this story was name-checked, because I wrote it last fall, in the midst of demanding teaching (the writing-and-reading intensive undergraduate "Introduction to Literary Studies") and administrative duties (as acting Chair of African American and African Studies), and because it tells a far too little known story, about the histories of the African Diaspora and of New York.

When I read the story at Rutgers-Newark last winter during an event with my colleague Rigoberto González, I noted that doing so represented a personal and public 400th anniversary tribute to the story's protagonist, Juan (Jan) Rodríguez (Rodrigues). I hope the story whets readers' appetites for the rest of the collection, and for learning more about the rich and complex histories of our country; as was the case with Juan Rodríguez's story, "Mannahatta" is but the beginning.

UPDATE: I just saw on Facebook that Entropy, "a new website featuring literary & non-literary content," selected the translation of Hilda Hilst's Letters from a Seducer for its "Ultimate Summer Reading List." It's a wild ride, that will definitely take you places you usually don't venture in contemporary American literature! Definitely check out their list of other summer must-reads, by writers such as Hugo Ball (translated by Catherine Schelbert), Anne Carson, Joshua Corey, Hervé Guibert (translated by Nathanaël), Ray JohnsonDouglas Kearney, Kevin Killian, Édouard Levé (translated by Jan Steyn), Fred Moten, Sawako Nakayasu, Alejandra Pizarnik (translated by Yvette Siegert), and others.

***

I work with truly extraordinary people who regularly receive honors of all kinds, so I thought I'd mention a few of the literary awards and citations they've received (this is not comprehensive and I surely will be missing something). Rigoberto, whom I mentioned above, received this year's Lambda Literary Award for Best Gay Poetry, for his collection Unpeopled Eden (Four Way Books, 2013). His beautiful collection was in one of the tightest competitions, with poetry books by Frank Bidart, Rafael Campo, David Groff, Randall Mann, Carl Phillips, and Brian Teare all in the running. Rigoberto also was a finalist for the Publishing Triangle's Thom Gunn Award for Best Gay Poetry for Unpeopled Eden, and was just named a full Professor of English.

Tayari Jones was one of the writers selected by Edwidge Danticat for Elle Magazine's "12 Great Female Authors Recommend Their 40 Favorite Female Authors," and O, The Oprah Magazine, chose her 2011 novel Silver Sparrow as one of its 2014 Summer Reads. Underlining these selections, back in April Flavorwire picked Silver Sparrow as one of its "50 Best Southern Novels Ever Written."

Akhil Sharma recently published his second book, Family Life (W. W. Norton, 2014), and it has received consistently high praise, including being featured on the front page of the New York Times Book Review.

RN MFA Program Director, Jayne Anne Phillips, whose stories in Black Tickets I first remember reading with excitement around the time I joined the Dark Room Collective, saw her 2013 novel Quiet Dell (Scribner), which has received stellar reviews, named one of the "Top 10 Fiction Books of 2013" by the Wall Street Journal, one of the Best Books of 2013 by the notoriously tough Kirkus Reviews, and one of last year's best books by The Saint Louis Post-Dispatch.

Finally among my colleagues--and I probably have left out something--one of the newest arrives with a particularly high honor: A. Van Jordan, a poet I've known and admired for many years and a fellow Cave Canem Graduate Fellow, will be RN's first Henry Rutgers Presidential Professor, joining the English department and MFA Program in Creative Writing this fall.

Among my students, one who received his RN MFA last year, Vincent Toro, and another whom I had the great pleasure of teaching a few years ago during her undergraduate study in creative writing, Jeannie Vanasco, received 2014 Poets House Emerging Poets Residencies. I was away so I was unable to attend their residency reading earlier this month, but both are writers to watch, and not just for their poetry. Vincent is an accomplished playwright whose plays have been staged around the New York-New Jersey metropolitan area, and Jeannie is a talented nonfiction writer who is currently working on a book that I can foresee garnering a good deal of acclaim.

Lastly, Drew Ciccolo, who received his RN MFA this year and who will begin the RN PhD program in American Studies this fall, has won Talking/Writing's Nonfiction Contest with his very fine piece "Paige." Drew was also one of 10 MFA students from across the US who had a story--"The Behemoth"--selected as a finalist by The Masters Review.

A hearty congratulations to all of them!

Wednesday, September 26, 2012

Catching Up

Catching up here on the blog always feels possible at first thought, but by the time I sit down to begin a post, I realize I have something else to do and the blog goes wanting. I do lament it. Blogging has often been a pleasure and served as a respite for me, but perhaps my new daily and nightly rhythms--and Apple TV, which allows me to stream YouTube music videos and Netflix films from our TV--have so disrupted my previous mindset that it has just become more or too difficult to do. We will see.

Until that moment comes, here are a few photos from recent events. The first two are of the panel discussion, at Poets House, for the Hilda Hilst book launch, and by Reggie H. (Thank you!) It was a fun panel, the book is now out and looks delectable, and Hilst now resides, at least in the form of one book, The Obscene Madame D (with more to come), in a superb English collaborative translation by Nathanaël and Rachel Gontijo Araújo, a first.

Hilda Hilst book panel
Me; poet and critic Nathanäel and A Bolha Editora publisher and poet Rachel Gontijo Araújo, who collaborated the translation; Princeton professor Bruno Carvalho; and Stephen Motika, poet and publisher of Nightboat Books
Hilda Hilst book panel
Me, Nathanäel, Rachel Gontijo Araújo, reading, and Bruno Carvalho
On Tuesday I attended my first MFA Program reading at Rutgers-Newark, and the featured readers were two of today's most acclaimed younger writers, poet Eduardo C. Corral, who was selected by Carl Phillips to receive this year's Yale Series of Younger Poets Prize for his collection Slow Lightning, becoming the first Latino poet to be so honored, and fiction writer Justin Torres, whose stories have been blowing up The New Yorker, and whose first novel, We the Animals, has summoned the highest praise for all quarters. Both read as if they had been doing so, with panache, all their lives. My colleague, the acclaimed poet, nonfiction writer and anthologist Rigoberto González, introduced both writers and moderated a lively Q& A session full of undergraduate and graduate writing students. Both had a good store of bon mots to share, and it was an honor to meet both of them in person.

Eduardo Corral, Justin Torres, Rigoberto Gonzalez
Eduardo C. Corral, Justin Torres, Rigoberto González
Justin Torres
Justin Torres
Eduardo C. Corral
Eduardo C. Corral