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William T. Vollmann, the American literary world's leading daredevil, beat out several other highly regarded authors, including acclaimed writer E. L. Doctorow and metaphorist-par-excellent Mary Gaitskill, to receive this year's National Book Award for fiction for his novel Europe Central. (I haven't read a Vollmann novel in about ten years, so I can't comment on it either way.) Last year's fiction nominees brooked considerable critical and publishing industry scorn for not being big enough names (or top sellers), so Vollmann is an interesting choice; his notoriety is probably greater than his booksales, but he is a serious and very talented writer. Sentimental favorite Joan Didion received the award for non-fiction, for her widely praised (worshiped?) memoir The Year of Magical Thinking, while heavily belauded poet W. S. Merwin (who received the Pulitzer Prize back in the early 1970s) was given, er, bestowed the prize for poetry. (His stepson, the amiable author Jonathan Burnham Schwartz, my one of my freshman dormmates, accepted the prize for him.) Jean Birdsall received the children's literature prize for The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits and a Very Interesting Boy. Poet, publisher, bookseller, and literary anchor Lawrence Ferlinghetti, who cofounded the City Lights Bookstore in San Francisco in the 1950s, and whose A Coney Island of the Mind (New Directions, endless reprints) is one of the best-selling poetry books of all time, received the first Literarian award for outstanding service to the American literature community. (An excellent choice, in my opinion.) The medal for distinguished contributions to literature went to octogenarian Norman Mailer, who was introduced by none other than Toni Morrison (who needs no introduction). The New York Times's A. O. (Tony) Scott wrote up a tight, sometimes snappish critique of the National Book Awards, and all awards for that matter, "Medal Fatigue," when they were originally announced.
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Yahoo! News announced today that the Center for Disease Control and Prevention is reporting that the rates of HIV/AIDS infection (seroconversion) have been decreasing among Black Americans about 5 percent every year since 2001, though Blacks are still 8 times more likely to be diagnosed with HIV than Whites. According to CDC researchers, "the falling rate among blacks seems to be tied to overlapping drops in diagnoses among injection drug users and heterosexuals." About 69 percent of the heterosexuals diagnosed with HIV during this period were Black. For men who have sex with men, diagnoses remained fairly stable from 2001 to 2003, but "climbed 8 percent between 2003 and 2004." CDC officials claimed that this was true for men of all races, though they were unable to explain the increases. For the first time, New York data were included in the study of 33 states, and the Empire State accounted for about 20 percent of the diagnoses. Other large states, including California and Illinois, however, were not included.
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From the Bowery Poetry Club website, on Monday, November 21, 2005, author-genius and Temple University professor Samuel R. Delany will conduct a one-day workshop in their Study Abroad on the Bowery Series:
• 4:00-6:00pm Study Abroad on the Bowery: Visiting Professor Samuel R. Delaney $10/$5 student/Free SAB St. Marks Workshop Samuel R. Delany is the winner of multiple Hugo and Nebula awards and one of science fiction's most celebrated authors. Born and raised in New York City, Delany began writing in the early 1960s. His 1966 novel Babel-17 established his reputation, and over the next decade he became famous for his provocative futuristic explorations of race and sexual identity in the novels Nova (1969), Dhalgren (1975) and Triton (1976). His other works include the Neveryòn series of novels (1979-87) and the novel Stars in My Pocket Like Grains of Sand (1984). He has also written frankly about his life as an African-American homosexual, and his non-fiction books include The Motion of Light and Water: Sex and Science Fiction Writing in the East Village, 1957-65 (1988) and Times Square Red, Times Square Blue (Sexual Culture) (1999).
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Noah's Arc: Finally, a pretty good episode last night, the best so far. All the actors were in sync, the writing was much tighter, there was lots of romance (and gorgeous men), and even the final uproarious moment was believable--and funny (involving Alex and Trey, of course). Wilson Cruz was a great addition. Keep it up!
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