Lest we forget that in the digital age new kinds of poems are possible, and that writers are creating them, here is one by Tan Lin (19_?-), my former colleague and one of the most original creative people I know. I'll just say that this piece, from 2002, mirrors several that he discussed, displayed and performed during a brief visit to the university around that period. One of his aims, he argued, was to create poetry that mirrored early 20th century Modernist French composer Erik Satie's (1866-1925) concept of "musique d'ameublement," or "furniture music." The pieces he showed did not have musical accompaniment, but this piece does, matching an ambient soundworld to (semi-)ambient language. If you're so inclined and have the technological means, you might hook the piece up to your speakers and let it play as you go about your business.
I'll just add that one of Tan's most recent works, Seven Controlled Vocabularies and Obituary. The Joy of Cooking [AIRPORT NOVEL MUSICAL POEM PAINTING FILM PHOTO HALLUCINATION LANDSCAPE], from Wesleyan University Press (2010), is actually a multiplatform, multi-concept(ual) creation, that keeps proliferating, like a (capitalistic) rhizome (which is, in part perhaps, what he's after). It manages to send up numerous forms by embodying what amount to zombie forms of them all. I posted photos of the book launch a while back, and I recommend the main book, from Wesleyan too. You can, like the ambient audiovisual piece below, dip and out, and even prepare a meal--it has recipes, of a sort--while you're at it. He also has a novel, wildly heralded by the writers and scholars I know who've read it, on the way. I never know what he's going to come up with, but it's never boring (even when that's his ostensible aim).
Click on the image, or the link below, to see the poem play as it should, and about this one, I can say, enjoy!
At Printed Matter, Chelsea, for the book launch of Tan Lin's Seven Controlled Vocabularies and Obituary 2004. The Joy of Cooking (Wesleyan, 2010), and its related texts
Tan Lin and a colleague, at Printed Matter
Tan Lin's mother, Gordon Tapper (center), and a friend, at the Printed Matter book launch
Writers David Ebershoff and Gary Shteyngart at a midday reading, Bryant Park
Performa 09, the biennial performance festival, has been taking place since the beginning of the month, and having missed the entire program in previous years, I've wanted to catch at least a few of the events, which include performances by the likes of Mike Kelly, Joan La Barbara, Adam Pendleton, Pauline Oliveros, Arto Lindsay, Dominique Gonzalez-Foerster & Ari, and many others, so yesterday, despite the rain (from the nor'easter), I ventured over to the Lower East Side to catch, and participate, in artist and poet Tan Lin's Chalk Playground, LitTwitChalk.
The event took place in and on the concrete playground of PS 2, on Madison Street just off Allen Street, on the edge of Chinatown and in the shadow of the Manhattan Bridge, and involved a live street-chalking exercise, followed by Tan's and others' chalking of a Futurist manifesto, a Chinese manifesto, and a collaborative, and real-time poetry “line” installation piece and drawings by a wide array of writers. Since I'm rarely in this part of Manhattan, I found getting there like navigating a maze, which included a sidetrip of one stop into Brooklyn before I switched trains and reemerged from the subway essentially right where the PATH had let me out, just one block north of Ground Zero and the WTC site. My iPhone's enhanced GPS mapping system proved very handy (the pulsating dot that moves as you walk is entrancing too), and I eventually found the site, though the rain had begun to drench the pavement, though not the chalkwork, and a number of participants were still there, including Tan.
On the Performa site, Tan listed, among others, Felix Alarcon, Bruce Andrews, Anselm Berrigan, Jimbo Blachly, Lee Ann Brown, Ethan Bumas, Greta Bumas, Emilie Clark, Yina Chun, Kareem Estefan, Robert Fitterman, Sarah Gambito, Kenneth Goldsmith, Paolo Javier, De-Quan Jenkins, Ahn Lin, Joseph Legaspi, Saqub Naeem, Jason Perry, Elizabeth Sanchez, Brittany Sanders, Katherine Sanders, Olivia Shao, Phillippa Shao, Lytle Shaw, Jennifer Tsuei, Charles Yarbrough, and Helena Zhang. I saw of few of these writers and artists, as well as Gordon Tapper, above whose extended, multicolored line I, at Tan's invitation, chalked in one. (See video below).
I plan to revisit the site later this week, just to see how the chalking has held up. After several days of rain, and later tires and children's feet, it probably will be a blurry mess, but the collaborative, outdoor aspects of it, as well as its ephemeral nature, made it a lot of fun, and a great deal of the statements were thoughtful and provocative. I hope Tan does this again, on heavily trafficked sidewalks in parts of the city where the messages may spark immediate thought and commentary among passersby.
Some photos:
Tan Lin observing some of the handiwork
Little artists participating in the event Participants chatting (Bruce Andrews in all black) Lin videorecording some of the work (Pierre Joris in the trenchcoat and beret) My first line
YouTube video I made of the first line I chalked (very short)
A video of one of the collaboratively chalked pieces (very short)
