Showing posts with label Christina Sharpe. Show all posts
Showing posts with label Christina Sharpe. Show all posts

Saturday, February 18, 2017

Random Photos

A few random photos from the last month. I've been so busy with school-related work (multiple search committees, thesis projects, etc.) that I haven't been able to get out much. But here are a few images from recent weeks.

The façade of Aljira, a Center for Contemporary
Art, announcing Zachary Fabri's show
From the Wolf to the Fox
,
which closed on January 15 
A detail from Fabri's Areola: Black
Presidents, digital print
Detail, Zachary Fabri, Eu
Mino Minas Gerais
 (I Mine
Minas Gerais, Brazil), 2010.
Rutgers-Newark Chancellor Nancy Cantor
speaking at the opening of Express Newark
at the newly renovated Hahne's Building, Newark 
One of the glassed in reliquary spaces
at the new World Trade Center PATH station 
In Las Cruces, New Mexico 
Las Cruces, New Mexico 
The flyer for the conversation I had
with the utterly brilliant, lovely Christina Sharpe,
who also read from her must-read
book, In the Wake: On Blackness and Being
Marble-polisher, WTC PATH statoin 
Worker relaxing, WTC PATH station
A display being erected or dismantled,
it was unclear which was the case,
WTC PATH station 
Workers polishing all that slippery, easily scuffed
marble, WTC PATH station (perhaps
someone will think of laying rubber pathways
to lessen the possibility of slips and tumbles
when it's rainy or snowy outside)
Union Station, Washington, DC 
What I found when I left my office on Monday;
someone had smashed into my left sideview mirror 
Dorothy Wang of Williams College delivering her talk
at Rutgers-Newark on Amiri Baraka, Ed Dorn,
and the politics of literary history and valuation

Monday, January 09, 2017

Quote: Christina Sharpe

"What does it mean to return? Is return possible? Is it desired? And if it is, under what conditions and for whom? The haunt of the ship envelops and persists in the contemporary. French President François Hollande 'returned' when he began his trip to the Antilles on May 10, 2015, with a visit to Guadeloupe for the opening ceremony and the dedication of a 'museum and memorial site to honour the memory of slaves and their struggles in the French Caribbean island Guadeloupe,' the 'first of its kind by France to remember those who suffered during the slave trade.' The Memorial ACTe, housed in a former sugar factory in the Guadeloupian city of Pointe-à-Pitre, is called 'a place of remembrance and reconciliation' and described as 'a Caribbean centre on the expression and memory of slavery and the slave trade.'"

"Hollande's visit to the site spotlighted, for those who would not and did not know, the ongoing reparation claims made by descendants of enslaved peoples in Guadeloupe, in Haiti, Cuba, and all over the Caribbean. And while in 2013, Hollande acknowledged France's 'debt' to Africa because of slavery and the 'baneful role played by France,' he added that this history 'cannot be the subject of a transaction.' Unless, of course, that transaction benefits France (like the indemnity Haiti was forced to pay) through trade and other contracts and 'investments.' But what is a moral debt? How is it paid? Is it that Black people can only be the objects of transactions and not the beneficiares of one, historical or not?"
-- Christina Sharpe, from In the Wake: On Blackness and Being, Durham: Duke University Press, 2016, p. 60.