Aretha Franklin, Queen of Soul

Though I knew she had been ill for some time, it was still a shock to hear that Aretha Franklin (1942-2018) had moved to hospice care earlier this week and that yesterday, she passed away in Detroit. One of the greatest, most vocally gifted and agile singers of her generation or any other, with a rich, layered mezzo-soprano voice that could project with tremendous power and draw emotion out of each note, she set the standard for her peers and all who followed her, earning the title of the Queen of Soul in 1964. But as she proved throughout her career, in addition to possessing major talent as a pianist, she also could sing gospel, the musical genre she grew up hearing and learning in the church, New Bethel Baptist, led by her legendary father, Rev. C. L. Franklin; R&B, in which she became a superstar; pop, leading to her early fame; the blues, which suffused all of her music; rock & roll, as she proved in the 1970s; jazz; and even classical operatic music, as she demonstrated to the world (though close friends like Grace Bumbry knew it) when she stepped in for Luciano Pavarotti on national TV and sang "Nessun Dorma" at the 1998 Grammys. 

A path blazer as a woman in the music industry who at age 12 joined her father on his "gospel caravan" tour, Franklin also received acclaim as a strong supporter of the US Civil Rights Movement and of Rev. Dr. Martin Luther King, Jr., joining him on tour when she was 16, and singing at his funeral after his assassination in 1968. She attempted to post bond for Angela Davis after her arrest, and remained an ardent supporter of the Black fight for civil rights and equality, not just in the US but in South Africa and across the globe. After moving back to Detroit to take care of her ailing father, who had been shot twice at point blank in his home, she kept the city as her chief residence, supporting local artists and its communities through her philanthropy. LGBTQ equality was among the many other causes Franklin championed. (This summary only scratches the surface of her life, which included considerable challenges from childhood on through her final illness.)

Her catalogue includes over 40 studio-produced albums, twenty Billboard Number 1 singles, beginning with "I Never Loved a Man (The Way I Love You)" in 1967 through "Freeway of Love" in 1985, and countless awards and honors, including 17 Grammys in categories ranging from Best Female R&B Performance to Best Soul Gospel Performance to Best Traditional R&B performance; Grammys Legend, Lifetime Achievement and MusiCares Person of the Year awards; American Music Awards; NAACP Image Awards; Kennedy Center Honors (she was the youngest person to receive the award when honored in 1994); the first woman inducted into the Rock & Roll Hall of Fame, in 1987; induction into the Rhythm & Blues Music Hall of Fame and GMA Gospel Music Hall of Fame; and a 1981 star on the Hollywood Walk of Fame. I would be remiss if I did not mention her brief but unforgettable turn in the iconic 1980 movie The Blues Brothers, in which she sang "Think," which won her a whole new slew of younger fans. Though she has now left the mortal plane, her music, perennial and enduring in its beauty and power, will always be with us as testimony to her greatness. 

Here are some videos of Aretha Franklin performing some of her countless hits. May she rest in peace and sing on in the great beyond.


Aretha Franklin ‎- Spanish Harlem (Single Version 45rpm / 1971) / HD 720p



Luther Vandross & Aretha Franklin - A house is not a home (live)



Aretha Franklin - Amazing Grace (Live 2014)



Aretha Franklin at Barack Obama's Inauguration, January 2009



Aretha Franklin - I Say A Little Prayer: her very best performance, October 9, 1970



Aretha Franklin Nessun Dorma Grammys 1998



Aretha Franklin & James Brown - Please, Please, Please - Soul Session - 1987



Respect - Aretha Franklin, 1967



Aretha Franklin - Chain Of Fools Live (1968)



Aretha Franklin - Think (feat. The Blues Brothers) - 1080p Full HD



Aretha Franklin - Bridge Over Troubled Water



Watch Aretha Franklin Make President Obama Emotional, Kennedy Center Honors, 2015



Aretha Franklin - Mary Don’t You Weep - Soul Train - 1979



Aretha Franklin - Freeway Of Love (Video)


 Who's Zoomin' Who?, 1985, Sony Music Entertainment


Aretha Franklin - Rolling in the Deep / Ain't No Mountain Live Adele Cover Version

Aretha Franklin "(I Can't Get No) Satisfaction", 1st Festival international de jazz à Antibes, ORTF, 1970.


Aretha Franklin, Jimmy Lee, 1986, Sony Music Entertainment

Hugh Masekela, Trumpeter & Activist, Passes

South African trumpeter and musician
Hugh Masekela at St. Lucia Jazz
festival, May 2012. (Reuters/Andrea De Silva)

This past week brought a number of homegoings, taking from us the South African musician and activist Hugh Masekela (April 4, 1939 - January 23, 2017), a trumpeter of impressive talent, and a freedom fighter against apartheid and for full equality for Black and brown South Africans. A native of KwaGuqa Township, Witibank, Masekela began his musical career at age 14, after seeing Kirk Douglas in the Hollywood film Young Man with a Horn, and his first trumpet was a gift from Louis Armstrong, via an anti-apartheid Anglican archbishop, Trevor Huddleston.

Masekela would go on to an internationally renowned career, traveling the continent and globe and playing with many of the most important jazz, pop and world-music musicians of his generations, but he never ceased agitating for his people's freedom. Throughout his oeuvre are numerous pieces that address the toxins of apartheid, racism, slavery, social, political and economic inequality, poverty, and other ills. After the 1960 Sharpeville Massacre, in which South African authorities killed 69 protesters in cold blood, Masekela went into exile, and settling in New York, where he befriended US musicians and activists, and was able to study at the Manhattan School of Music, graduating in 1964, and briefly marrying the marvelous singer Miriam Makeba shortly thereafter.

Among Masekela's musical achievements were the chart-topping 1968 instrumental song "Grazing in the Grass," and his star turn with the pop R&B/jazz group The 5th Dimension, on their unforgettable hit "Up, Up and Away," in 1967. He also recorded with musicians ranging from Paul Simon to Abdullah Ibrahim to Kalahari, making a special point to engage other African and Black Diasporic, musicians, including Fela Kuti and Jorge Ben, and musical forms in his work. Throughout, he  enriched the century-long traditions of jazz music. Masekela founded the Botswana International Music School (BIMS) in 1985, an institution that continues, in different form but which still brings together young and established musicians from across Africa.

My introduction to Masekela's music came from hearing my father play both albums featuring his work and ones he issued, and then, in early adulthood, when he was one of the highlighted artists who participated in Paul Simon's famous album Graceland tour, which also included Miriam Makeba and brought to wider attention groups like Ladysmith Black Mambazo. (I may even have the Graceland LP in my collection!)

May he keep blowing his horn and creating beauty wherever he is now, and may we keep listening. In tribute to him, here are a few clips from YouTube. Enjoy!


Hugh Masekela, "Grazing In The Grass"


Hugh Masekela, "Afro Beat Blues"


Hugh Masekela, "Don't Go Lose It Baby [Rare Version]


Hugh Masekela, "Stimela" (with Graceland)
Hugh Masekela, "Blues for Huey"


Hugh Masekela, "Bring Him Back Home (Nelson Mandela)"

Amidst the Notes: RIP Pierre Boulez & David Bowie

Pierre Boulez,
by Carlo Bavagnoli

I've been of two minds about the recent deaths of two leading figures in the world of music, Pierre Boulez (1925-2016), and David Bowie (1947-2016), mourning their deaths while also feeling the need to acknowledge key faults--which are not commensurate, let me be clear--that marked the characters of both. Both were musicians of original vision and talent, and born performers. Both left a deep mark not only in the musical cultures of their native countries but in the US and globally. Both wrote music that I turn and return to periodically, for differing but aesthetically and emotionally necessary reasons. So I feel sorrow and grief at their deaths, but at the same time, perhaps akin to the form of negative capability I maintain when reading certain writers like Wallace Stevens or T. S. Eliot, I keep in mind certain criticisms of them, even if the elation and admiration their music brings sometimes temporarily evacuates that criticism. (Keguro at "With(out) Predicates" offers one of his characteristically profound, moving and concise meditations on the necessary distinction between acknowledging the flaws of a deceased person and haranguing someone who is mourning that person as a way of forcing them to engage in such acknowledgement.)

Pierre Boulez was perhaps the towering figure in avant-garde Western classical music in the second half of the 20th century. He became one of the leading composers and judgmental exponents of new music, championing certain composers, especially those of his generation, as well as key figures in the French tradition, and the leader early 20th century modernists. He pursued a parallel career as a conductor, beginning in the 1950s, and perhaps most famously, led the New York Philharmonic from 1970-1975, a tenure that still provokes mixed reviews, though his focus on contemporary composers and the 20th century repertoire was undeniable, and remains unmatched by the Philharmonic even today, in 2016. His conducting style, without a baton and noted for its precision and clarity, brought the modernist composers Claude Debussy, Arnold Schoenberg, Alban Berg, Anton Webern, Gustav Mahler, Bela Bartók, Maurice Ravel, and Edgard Varèse in particular to life. His own work showed their influences while moving in its own direction; just a few years ago I saw Messagésquisse performed at Columbia University, and it was more beautiful and stirring than any recording of it I'd ever listened to. Boulez, however, could be extremely harsh to the point of cruelty in his criticisms. He famously proclaimed Arnold Schoenberg "dead" at the end of an eponymous essay in which he trashed Schoenberg's failure to fully exploit the possibilities of the dodecaphonic system he had developed, and published the essay shortly after that pioneering composer died. Boulez cruelly described the great Russian composer Dmitri Shostakovich as "the third pressing...of Mahler," and cast Karl Amadeus Mozart off as "trite." His fallings out with fellow musicians, including his former teacher Leibowitz, and former experimental compatriots John Cage and Karlheinz Stockhausen, are well recorded. He also apparently never publicly came out of the closet as a gay man, though some critics and many fellow musicians knew about his sexual orientation and relationships. I take all of this into account, but also point to his music itself, which at its best--and there are certainly high points--is the lasting testament of the man.


Pierre Boulez, Répons - Ensemble intercontemporain - Matthias Pintscher, conductor, 2015.


 Pierre Boulez, Messagesquisse - Eric-Maria Couturier - Ensemble intercontemporain, Matthias Pintscher, conductor, 2014.

David Bowie, 2016

David Bowie championed another kind of 20th century music, or several, rock & roll and soul-influenced pop. Born Robert Jones in Brixton, London, he initially launched his career in the late 1960s, and first made the charts with his song "Space Oddity," which introduced the figure Major Tom, whom Bowie would revisit later in his career. In the early 1970s, he created the queer, glam rock alter ego character Ziggy Stardust, the titular figure of his LP The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and transformed the public figure of the male rock icon through his overtly androgynous persona, which he concluded with Diamond Dogs. Throughout his career, Bowie remade himself, shifting into "plastic soul" in 1975, with the album Young Americans, which featured the overtly queer "John, I'm Only Dancing," one of my favorites, includes one of my favorite songs, and 1976's Station to Station, with the track "Golden Years," which he performed as one of the first white musicians on Soul Train. Subsequent shifts included the adoption of electronic elements and collaboration with Brian Eno, a stagy pop style with "Ashes to Ashes," and his biggest hit, which was one of the top tunes during my senior year of high school and freshman year in college, "Let's Dance." Bowie continued to record up through the final months before his death, issuing his final album, Blackstar, just days before he died. He acted in films, including the still striking and bizarre The Man Who Fell to Earth, an unforgettable vampire in The Hunger's sex trial, and an equally memorable Andy Warhol in the biopic Basquiat. David Bowie flirted with Nazism in his youth, adopting some of its trappings as a kind of fashion statement and aesthetic performance, and also had sex with an underage girl, the first of which I knew, the latter of which I didn't, and both disturb me tremendously. On the racist front, he did speak out more than once about the racism in the music industry, famously calling out MTV's overt discrimination while on air; as to whether the song China Girl is heard as something other than the Orientalism it ostensibly is a matter for others to uncover, and whether he ever atoned for what essentially involves the abuse of a teenager I cannot say. I can speak to the electric feeling I felt as an early adolescent watching him perform in a plastic suit, and later drag, with gender performers Joey Arias and Klaus Nomi, which I link to below.

David Bowie - Let's Dance, EMI Music.


David Bowie & Klaus Nomi - TVC15 & Boys Keep... by ZapMan69

RIP Natalie Cole

The new year brought with it the saddening news that the golden-voiced Natalie Cole (1950-2015) had died of congestive heart failure, at Cedars-Sinai Medical Center in Los Angeles, at the age of 65. One of the most talented singers of her generation, Cole debuted in 1975 with Inseparable, which was an instant success, with both the title song and "This Will Be" charting and confirming that she was not just the daughter of one of the greatest singers of all time, Nat King Cole (1919-1965), and former Ellington Orchestra Maria Hawkins Cole, but a major talent in her own right.

Nominated 21 times for a Grammy Award and recipient of 9, Cole posted platinum-level sales several times and scored many hits, including "Sophisticated Lady," "Mr. Melody"(one of my favorites of all her songs), "I've Got Love On My Mind," "Our Love," "Miss You Like Crazy," "Pink Cadillac," "I Live for Your Love," and the remarkable "Unforgettable," her duo with her late father, which would go down as one of her most popular recordings (and LPs) of her career.

In addition to her 4-decade musical career, Cole also acted on TV and in films, and published a memoir in which she discussed her struggles with drugs and challenges from a range of illnesses throughout her career. I grew up listening to Natalie Cole as a child and have been a lifelong fan, but her record Unforgettable touched me deeply, in part because by the early 1990s I had started to re-immerse myself in jazz, and her decision, after refusing for much of her career to cover her father's songs, struck me as a gesture of tremendous grace and tribute. The result was a treasure for the entire world, like so much of Natalie Cole's music.

Here are a few videos featuring Natalie Cole. Enjoy!

Natalie Cole singing "Inseparable" and "This Will Be," November 5, 2014, Hard Rock Café.
Natalie Cole singing "Stardust," LIVE at the Singapore International Jazz Festival 2014.
Natalie Cole singing one of her father's first hits, the folk tune "Straighten Up and Fly Right," in 1991.
Natalie Cole singing "Mr. Melody" live, from Natalie Cole: Love Songs
A heartbreaking duo, featuring Natalie Cole and Whitney Houston (RIP), singing "Say A Little Prayer"
Natalie Cole, at the "Unforgettable" concert in Los Angeles, 1992 Natalie Cole's complete concert from Bergen PAC, Englewood, NJ April 25, 2014 (in 1080p/24fr).

RIP Whitney Houston

Whitney Houston in 2009 (AP/Evan Evangelisti)

Whitney Houston (1963-2012)

Whitney Houston, "The Greatest Love of All"

I almost cannot believe this news, but this afternoon, but singer and actress Whitney Houston was found dead in her room at the Beverly Hilton hotel in Beverly Hills, California.  One of the finest and most talented singers of her or any generation, with an extraordinarily powerful voice grounded in the gospel tradition, Whitney Houston could have sung almost any kind of music, but primarily made her mark in rhythm & blues and pop. (Yet as she showed on the many times she sang the "Star-Spangled Banner," she could make it sound like you'd never heard it before, and later sang with a 35-piece gospel choir on The Preacher's Wife: Original Soundtrack Album.) The Newark-born daughter of gospel singer Cissy Houston, the cousin of icon Dionne Warwick, and the goddaughter of the musical goddess Aretha Franklin, this beautiful and poised singer, blessed with a once-in-a-lifetime vocal instrument, debuted her first album, the eponymous Whitney Houston in February 1985, and the hits came right away.  They continued well into the 1990s, with perhaps her apogee being her rendition of Dolly Parton's "I Will Always Love Young," from the popular movie The Bodyguard, whose soundtrack won a Grammy award, one of numerous awards Whitney collected over the years.

Whitney Houston, turning out Chaka Khan's hit "I'm Every Woman" (one of my favorite songs of hers)



I have listened to her music since her debut in 1985, and I rushed out to buy her first and subsequents not long after they appeared. Without question her many LPs and CDs have formed part of the soundtrack of my adult life. I'm even old enough to recall staying up to catch her on Byron Allen's old late night show, so enthralled was I by her music and her.  It's hard to put into words how sorrowful her decline over the last 15 years has been to witness, and how saddened I am by today's new. It was clear by 2001 how bad off she was, but I remember how when C and watched her reality show with her then-husband, Bobby Brown, there was no doubt that she had hit rock-bottom, and perhaps was even on the rock and rocks as the cameras rolled. Yet in 2009 it appeared that Whitney Houston had turned things around, but the struggles that she faced are never easy to win and, whatever happened today, it was clear that her many trials had taken their toll.  It is so very tragic, and so inadequate are these words, but as she sang, I will always love her music and her. RIP, Whitney Houston.

Whitney Houston, "I Will Always Love You"

Here, apparently and tragically, is her last performance, last night, at Kelly Price's pre-Grammy party.