Ives House Spared + Zweig Brazilian Home Now Museum

The Charles Ives House in Redding, Connecticut

Danbury, Connecticut native Charles Ives (1874-1954) was one of the most original composers the US has produced, a genius to the ears of Arnold Schoenberg, another genius and his exact contemporary, and to those of many others, including Gustav Mahler, Leonard Bernstein, Leopold Stokowski, and José Serebrier. Like his soundworld, with its competing and often clashing layers of melody and harmony, rhythms and tonalities, Ives's composing career was idiosyncratic; he spent most of his daily working life as an insurance company executive in New York, and allegedly did not compose anything for the last 17 years of his life. Up till that point, however, he produce a slew of works that challenged the conventions of his era, and even today many of them strike the listener with their strange, otherworldly qualities. Ives's final home outside New York was in Redding, Connecticut, and as of last year, Charles Ives Tyler, Ives's grandson, had placed it on the market, and so it was in danger of being leveled, given the value of the land beneath it, its ramshackle state, and the presence of and desire for much larger homes nearby.

In early August Norman Lebrecht's Slipped Disc music blog posted about cellist and performance artist Zoe Martlew's attempts to alert the public's attention to the house's fate; her efforts and others' quickly stirred supporters, including the Charles Ives Society, based at the University of Illinois, into finding some means of preserving the residence, which still holds some valuable relics of Ives' life there, as Martlew saw when she visited the house with composer and conductor Oliver Knussen. It was here that Ives composed some of his finest and most original music, including the "Concord Sonata" and his radical, almost unperformable Fourth Symphony, which wasn't premiered until over a decade after his death.

Pictures (c) Zoe Martlew/Lebrecht Music & Arts

Pictures (c) Zoe Martlew/Lebrecht Music & Arts

Among the proposed actions to rescue the house was a petition to President Barack Obama (but why not, I wondered, Connecticut governor Dannel Malloy, or, as someone on Lebrecht's blog suggested, the US Representative for that area, James Himes (D-CT) ?). Robert Eschbach, a music professor at the University of New Hampshire, established a Save the Ives House Facebook page. More practicable, it turns out, was finding some Ives fan or fans, or a coalition of them, to buy Ives's house. Now, according to WQXR Radio, it appears that that is happening, with the Charles Ives Society taking the lead in trying to raise the $1.5 million to purchase the house, an 18+-acre estate that also includes a cottage and barn, from Tyler, and Nikola Ragusa also setting up a fundraising page on Indiegogo to raise money as well. 

Kevin Hagen for The Wall Street Journal 

Kevin Hagen for The Wall Street Journal

This is only the first step, though; even if taken off the market and transformed into an artists' retreat, there are further unresolved issues, as WQXR points out, including zoning and related real estate issues; tax status; further funding for renovations and making the house accessible to visitors; the endowment of the "housing complex," as it were; the estate's location on a residential street, and so on. The institution running Ives' birthplace museum in Danbury faced such severe financial problems it had to furlough its tiny staff. The ongoing economic crisis has poses perils for arts institutions of all kinds, and the Ives House in Redding, even if saved from purchase-to-demolition, will still not be out of the woodpile without much, much more support.

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@ CSZ Arquivo

Stefan Zweig (@ CSZ Arquivo)

Halfway around the world, on the other side of the Equator, a famous artist's residence, brief though it was, has been preserved. North of Rio de Janeiro, in Petrópolis, the former summer resort city of Brazil's imperial family, the final home of the prodigious Austrian writer and librettist Stefan Zweig (1882-1942) and his second wife Lotte Altmann. It was in this home that Zweig and his wife, in flight from the Nazi regime dominating large swaths of Europe and thus cut off from the world they had known, and despairing for the future, lived for five months, with Zweig finishing his memoir The World of Yesterday; one of his finest works of fiction, The Chess Novella; and his perceptive survey of the country to which he had only just moved, Brazil, Country of the Future, before committing joint suicide. Thus did he terminate what had been one of the major literary careers of the era.  

The Casa Stefan Zweig (CSZ - Stefan Zweig House) received its earliest support shortly after Zweig died, when Brazilian author Raúl Azevedo proposed that the house be turned into a museum to honor the stateless refugee. His own heirs subsequently offered Brazil the contents of his dwelling in London, where he had lived before departing first for New York, and then to Brazil. It was not until over half a century later, however, that fans of Zweig were able to purchase the house and transform it into a museum. The house opened as a Zweig museum and archive, and as a cultural center, on July 29, and is open Fridays through Sundays, 11 am - 6 pm, with free admission. Among the artifacts available for view are 560 volumes, works in the original German, other manuscripts including annotated ones for future works, personal objects, autographed photos from close friends such as Richard Strauss and Sigmund Freud, and some of his extraordinary collection of original musical scores.

The Casa Stefan Zweig © Manfred Grietens

© arquivo

Rather bizarrrely, English Heritage turned down the application to honor Zweig with a plaque on the London house where he lived for five years. In addition to claiming that Zweig's status in Britain was not as high as elsewhere, it also stated that "it was felt that a critical consensus does not appear to exist at the moment regarding Zweig's reputation as a writer and that, as a consequence, it was not possible to be certain of his lasting contribution." During his lifetime up through his flight from the Nazis, his fiction, poetry, plays, histories, belles-lettres, and journalism received both acclaim and a large readership, in Europe, the United States, and South America, to the extent of being turned into major Hollywood films in several cases, and after the death of Strauss's longtime collaborator Hugo von Hoffmannsthal, Zweig wrote two libretti for Strauss's operas, having to do so secretly towards the end because of the proscription against his work laid down by the Nazis. Yet to the British preservationists, Zweig does not rank. Or not highly enough. So be it. A trip to Petrópolis sounds like a far more inviting option anyways.

Goodbye, Gotham Book Mart

Another brief post, marking what is truly the end of an epoch.

The Gotham Book Mart has been evicted, its merchandise snapped up by its landlord at auction for $400,000, its new premises to be rented to someone who can pay more.

Why is this a big deal?

The Gotham Book Mart ([Photo via Rollerboogie on Flickr]), in its former home and incarnation, was widely considered one of New York's greatest bookstores. Founded in 1920, it was one of the finest repositories of original and rare literature in the city, and, during the long tenure of former proprietor Frances Steloff, a major haunt for many notable American and foreign writers of the 20th century, and also a cultural pacesetter; the store sold censored and controversial works, even fielding a lawsuit by a ninny who was offended by its sale of Nobel Laureate André Gide's If It Die. (Those were the days--now the ninnies don't even deign to pick up works of imaginative literature any more and get worked up.) Allen Ginsberg and Amiri Baraka in their youth worked there as clerks, but poor Tennessee Williams didn't "last a day."

My friend Eric H. was the first person to take me up there, and after that I always loved going in there because of the pleasant, attentive, knowledgeable staff members, a rarity at bookstores these days, and because I'd often find obscure poetry books--sometimes published 20 or 40 years before--still sitting behind other books (because they practiced double-packing the books!) on the shelves, waiting to be extracted, explored and purchased rather than returned to moulder a publisher's or distributor's warehouse.

Many writers I know, and especially those of previous generations, have a Gotham Book Mart visit story or three. It was one of the City's longtime literary beacons, outlasting many of this larger competitors, like Scribner's, Doubleday, and Brentano, and outliving peers like Eeyore and Shakespeare and Company, only to fall prey the rent monster. (I'd thought the previous move from 47th St. to the 46th St. former S. H. Kraus bookstore digs, which netted the owner, Andreas Brown, $7.2 million, would have have taken care of this, but now New York is so expensive it's not inconceivable that the new owner simply could not keep up.) According to Fine Books Blog

According to reports out of New York, the landlord, who was owed in excess of $500,000 in back rent, bought the contents of Gotham Book Mart this morning with a bid of $400,000 for the entire contents. The rushed sale, held with only two days' public notice, now seems as if it were intended all along to ensure that the landlord would acquire the contents. Inside, the books were arranged in group lots with titles like "wall of books" and in stacks of boxes that were virtually impossible to inspect during the 90 minute pre-sale period. One suspects that this result is what the auctioneer meant when he told me he expected one buyer to take everything.

The landlord, officially 16 East 46 Street Property LLC, but actually real estate developer Edmondo Schwartz and cosmetics billionaire and postcard collector Leonard Lauder, thus acquired the contents for the cost of paying the auctioneer and the city marshal. The rest of the $400,000 bid returns to them as partial payment of the back rent.

The owner had been recovering from his third hernia surgery, and pleaded for a reprieve, to no success. A side note: Leonard Lauder's brother, former Ambassador Ronald Lauder, founded one of the best vanity museums in the country, the Neue Galerie, on New York's Upper East Side, and just last year he spent $135 million on Gustav Klimt's admittedly astonishing portrait of the late socialite Adele Bloch-Bauer. Just do the math....

At any rate, sic transit gloriae urbis....