I always feel so drained on days when I have my graduate seminar. I love the class, but the demand of provoking and sustaining discussions for three hours, at a high analytical level, that wears me out more than if I was doing other things (and I have done other things in life, from working at an amusement park to being a waiter to teaching people whose first language was not English how to write papers on debt service, etc.). I often marvel at professors I had who were able, in graduate literature courses, to launch rafts of both information and key points of knowledge endlessly, especially when it was not directly related to 1) their dissertations, 2) their past books, 3) their current books or projects, or 4) their future books or projects. And then there was HB, of course, who knew the entire corpus of Western lit, but that's another story.... Today I decided to conclude the discussion by reading some passages from Wittgenstein aloud, which actually was appropriate since the (African-American) author we were reading riffs off his ideas--in fact, her book represents an enactment of his difficult concept of the "language game" in several ways--and that brought things to a good close. But then once I was on the train, heading to pick up my newly bewindowed car, I thought of about ten things I could have pointed out, and was too tired to jot them down (though I finally did)....
Back to Mies (not Miers) and IIT: one of the most interesting buildings on IIT's campus was OMA principal, Harvard GSD professor and Pritzker Prize-winner Rem Koolhaas's McCormick Tribune Campus Center, which is the new student center. Because of the campus layout, Koolhaas had to site the building partially beneath Chicago's Green Line El tracks, so he devised an ingenious solution, which was to wrap the tracks in a huge sound-dampening tube, and then curve the roof of the center under the tube, while grading the space beneath the roof so that once inside the building, the dip in the roof isn't as noticeable. I was curious to see this, so I went into the building, walked around, snapped pictures, and I can say it is a marvel. The only other Koolhaas building or space I've ever been in is the Prada Store in New York's Soho, which was a revelation when I first visited it, with its marvelously sloping floor, step-benches, liquid screens, and so on. I have not seen the new library in Seattle, but hope to one of these days. This building uses color, unanticipated angles and spaces, shifting sightlines, dispersed spaces for congregation, and a rich mixtures of colored glass, buffed metals and concretes, and advanced plastics, to create a space that feels both profoundly futuristic and virtual--it's almost like the embodiment and performance of Deleuze and Guattari's concept of "smooth space," but not merely as concept, but at experienced, situated, temporally grounded space.
Here are some photos of this center, which I think is one of the most interesting college or university buildings I've been in (some of my favorites were at MIT, though that was before they had begun their new wave of buildings that includes the Gehry, Holl and other masterpieces).
The tube(s), and the slanted (side) façade and entryway of the McCormick Tribune Campus Center
The side entryway up close. The tube hovers behind me. The slanting roof is hardly perceptible from this vantage.
The game room area, with the shimmering floor, the defamiliarizing angles, and the flowing contrasts of light and color.
There's a juice bar/café, with an aquamarine color motif, as well as the recurrent human symbols that appear all over the building, including on the glass walls facing State Street, where from a distance they form coherent images
The pumpkin-colored computer bank (which only featured PCs). The photo hardly captures the dramatic lines and color of this space.
The radio station, and the space behind the State Street façade, with its orange-tinted windows. The orange light was almost spellbinding, but this photo hardly does it justice.
The multicolored, multifloored cafeteria. Again, the photo hardly does it justice, since there are multiple spaces that constitute it, and depending upon where you are, you might be looking out onto or down or up into another area altogether.
A view of the State Street façade, with its orange-tinted windows. The slanted roof again has become invisible, though the Tube hovers in the background above the center of the building.
I'll end here. Koolhaas is about 60 or so, and has a number of projects underway, but I sincerely hope he gains or wins commissions for other US buildings. This one is hardly as experimental and dramatic as either the Prada Store or the images I've seen of the Seattle Library, but it's still a gem.