Showing posts with label Wislawa Szymborska. Show all posts
Showing posts with label Wislawa Szymborska. Show all posts

Friday, February 03, 2012

RIP & Poem: Wislawa Szymborska

Not much blogging thus far this month; I am mainly trying to keep my head above water amidst the onrushing rapids of winter quarter teaching, mentoring, advising and committee work. In a few days, as per schedule, I will be handing off one of my three courses, the semester-long (it cuts across the quarter system, and a similar course exists in poetry and creative nonfiction) fiction sequence for the undergraduate creative writing majors and minors, to my dear colleague, who, as I have done in the past, will guide them through the labyrinth of novella-reading and writing. I'll say more about this in a few days, but suffice it to say that if I had little time for blogging before, it's been minimal of late.

Wislawa Szymborska (PAP/Jacek Bednarczyk)
I did not want to let go unmentioned the passing, yesterday, of one of the major poets of the 20th century, the ever-modest, ever-incandescent Wislawa Szymborska (1923-2012), two of whose poems I blogged earlier this year, and whom I've mentioned many times on this site. I won't restate what I said before except to note that you could do yourself a favor if, in the absence of something to read and seeking a book to provoke you to think and feel, you purchased or checked out of the library a translated volume of her poems. Szymborska had the gift of writing poetry that often appears utterly simple or narrowly focused, yet it frequently opens up into some of the central questions of life and its resonances are often profound. This derives from her constant investigation of experience itself, of language, of our human negotiation of and between the two. My colleague Clare Cavanaugh has, with Stanislaw Baranczak, translated a large number of her poems. You can find some of them here.

Here is one of her poems, "Some Like Poetry," in two translations, the first by Regina Grol, the second by Joanna Maria Trzeciak. It's a poem about poetry, and thus about its value to Szymborska and about her own art and practice. Her final, ironic verdict, while it won't satisfy some (professors, critics or poets), is as honest an answer as I can think of: "But I don't know and I don't know and clutch on to it/as to a saving bannister."

(UPDATE: You can listen to a discussion of Szymborska, and archival recordings of her reading, at News from Poland's site.)

SOME LIKE POETRY

Some -
thus not all. Not even the majority of all but the minority.
Not counting schools, where one has to,
and the poets themselves,
there might be two people per thousand.

Like -
but one also likes chicken soup with noodles,
one likes compliments and the color blue,
one likes an old scarf,
one likes having the upper hand,
one likes stroking a dog.

Poetry -
but what is poetry.
Many shaky answers
have been given to this question.
But I don't know and don't know and hold on to it
like to a sustaining railing.

Wislawa Szymborska © 2012, translated by Regina Grol, all rights reserved.

SOME LIKE POETRY

Some--
that means not all.
Not even the majority of all but the minority.
Not counting the schools, where one must,
and the poets themselves, there will be perhaps two in a thousand.

Like--
but one also likes chicken noodle soup,
one likes compliments and the color blue, one likes an old scarf,
one likes to prove one's point,
one likes to pet a dog.

Poetry--
but what sort of thing is poetry?
More than one shaky answer
has been given to this question.
But I do not know and do not know and clutch on to it,
as to a saving bannister.

Wislawa Szymborska © 2012, translated by Joanna Maria Trzeciak, all rights reserved.

Saturday, April 16, 2011

Poems: Wislawa Szymborska

When Wislawa Szymborska (1923-) received the 1996 Nobel Prize in Literature, I recall saying: "Who?"  My knowledge of 20th century Polish poetry was five writers deep: Czeslaw Milosz (1911-2004), Adam Zagajewski (1945-), Zbigniew Herbert (1924-1998), Witold Gombrowicz (1904-1969), and Jerzy Andrzejewski (1909-1983). Milosz I knew of because he won the Nobel Prize in 1980, and I began seeing his work here and there, then started reading it, with astonishment, when I got to college. Zagajewski because when I was in college, one of his major translators, the poet and critic Stanislaw Baranczak, was on the faculty, and perhaps as a result, Z's poetry seemed to appear everywhere. Herbert I learned about from one of my fellow Dark Room members--they abounded in information like that. Gombrowicz was a name I'd seen for years, always in relation to his highly praised--but unread by anyone I knew--novels Ferdydurke (1937) and Pornografia (1966). I would lying if I said I had gotten more than 25 pages into either. Andrzejewski--I don't even know, though he was allegedly on the Nobel shortlist as well, like Zagajewski probably is. Not a single woman, no Szymborska, among them.

Then Szymborska came to world attention, and I started to see her wry, wittily ironic, deeply human and humane, often melancholy, sometimes heart-piercing poems in translation.  She has, at least to my ear and mind, a gift for boring utterly into the core of the moment the poem invokes, with wit and an undertone of sadness, sometimes so plangent, as is the case with the second of the poems I'm posting below, that it's almost painful.  A few years ago, 2006 I think it was, the writer Thomas Glave came to the university, and as part of his preparation for speaking to my "Situation of Writing" class, he asked that I have them read several poems that broached the writer's ethical responsibilities and challenges by Szymborska. I had not read these myself, so they were a revelation (I should have expected no less from Thomas, who is himself a revelation).

I say all of this as a set-up for me to post two poems by Szymborska, who remains one of the great living poets. The first I came across on the Nobel Prize site, and the second I read first in The New Yorker, and as soon as I read and reread it about 10 times, I tore it out and put in my "poetry" file.  Once upon a time, in my pre-professor days, that little file was a "sanity" file, and I would paste the poems up on the glass walls of my office, and whenever I'd hit of rough patch of bureaucratic nonsense, or my then-boss would, well, perform as the entire staff dreaded, I'd look at those poems and be transported to another place. And I'd write (a bad) one myself. Back to Szymborska: We're lucky to have her around, and if you like these poems, I urge you to go read more.

THE THREE ODDEST WORDS

When I pronounce the word Future,
the first syllable already belongs to the past.

When I pronounce the word Silence,
I destroy it.

When I pronounce the word Nothing,
I make something no non-being can hold.

Translated from the Polish by Stanislaw Baranczak and Clare Cavanagh.
Copyright © Wislawa Szymborska, S. Baranczak and C. Cavanagh


I AM TOO CLOSE

I am too close for him to dream of me.
I don't flutter over him, don't flee him
beneath the roots of trees. I am too close.
The caught fish doesn't sing with my voice.
The ring doesn't roll from my finger.
I am too close. The great house is on fire
without me calling for help. Too close
for one of my hairs to turn into the rope
of the alarm bell. Too close to enter
as the guest before whom walls retreat.
I'll never die again so lightly,
so far beyond my body, so unknowingly
as I did once in his dream. I am too close,
too close, I hear the word hiss
and see its glistening scales as I lie motionless
in his embrace. He's sleeping,
more accessible at this moment to an usherette
he saw once in a traveling circus with one lion,
than to me, who lies at his side.
A valley now grows within him for her,
rusty-leaved, with a snowcapped mountain at one end
rising in the azure air. I am too close
to fall from that sky like a gift from heaven.
My cry could only waken him. And what
a poor gift: I, confined to my own form,
when I used to be a birch, a lizard
shedding times and satin skins
in many shimmering hues. And I possessed
the gift of vanishing before astonished eyes,
which is the riches of all. I am too close,
too close for him to dream of me.
I slip my arm from underneath his sleeping head -
it's numb, swarming with imaginary pins.
A host of fallen angels perches on each tip,
waiting to be counted.

Translated from the Polish by Stanislaw Baranczak and Clare Cavanagh.
Copyright © Wislawa Szymborska, S. Baranczak and C. Cavanagh