Last Thursday evening, the
Dark Room Writers Collective, founded 25 years ago in
Cambridge, Massachusetts, by
Thomas Sayers Ellis, Janice Lowe and
Sharan Strange, after the death of
James Baldwin (1924-1987), and of which I was a member for many years (I joined during the very first, remarkable season of their reading series, in 1988, after having seen Tom's high-top fade around town and learned about them at my barbershop, who told me he thought it was a "bookstore," which sent my hiking my 22-year-old behind halfway across Central Square to see these books I thought they'd be selling), had a reunion reading at the
Poetry Foundation's stunning headquarters in downtown
Chicago.
The reading convened only a small number of the many writers, artists, and creative folks who were members or affiliates over the years, a tally that numbers in the dozens, among them
Tisa Bryant, Carl Phillips, Tracy K. Smith, Adisa Vera Beatty, Trasi Johnson, Artress Bethany White, Aya de León, Ellen Gallagher, Noland Walker, Muhonjia Khaminwa, Kambui Womble, and many others; nevertheless, present were Thomas, Sharan,
Nehassaiu de Gannes,
Major Jackson, Natasha Trethewey, and
Kevin Young, as well as yours truly. The Poetry Foundation's
Stephen Young opened the event, and eminent poet and my Northwestern colleague
Ed Roberson offered an introduction, before turning the floor over to artist, poet and culture worker
Krista Franklin who, in Dark Room fashion, was the local poet who joined us in offering poems. Poet and photographer
Rachel Eliza Griffith took photos, and
Janice Lowe also was present to bring the spirits back and dancing. Many of the great poets living in Chicago (and I'm going to miss some names) also came out to catch the set.
Though I was a participant and am usually halfway to some other place at readings, this event felt wonderfully grounding in so many ways, a homecoming (even in the exquisite interiors of the Poetry Foundation), as I have seen and sometimes read with several of these writers over the years, but not together with them in over a decade, and I felt myself overcome each time one of them took the stage to read, offer reminiscences, dedicate poems, call out the ancestors, bring the noise. One of Thomas's charges, alongside the bootstrap writing, workshopping and reading all those years ago, was
to bumrush the show, something that he and many others, including the many, many exceptional established and emerging figures who passed through the Dark Room's doors, set into motion for all of us, and for that I will always be grateful to him. I'm already getting verklempt, so instead of spilling tears here, I'm going to post some photos, including a few from the following day, when we dropped by
Parrish Lewis Photography, where photographer
Lamont snapped some photos.
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Natasha Trethewey |
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Ed Roberson, Kevin Young, Natasha Trethewey, Nehassaiu de Gannes |
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The impresario, Thomas Sayers Ellis ("ain't it funky, y'all?") |
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Major Jackson |
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Kevin (leaning forward), Ed, Natasha, Nehassaiu, Major |
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Sharan in reflection |
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Sharan reading |
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Krista Franklin and Ed |
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iPad drawing of Thomas |
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Sharan, serene, as Lamont photographs her |
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Thomas, photographing Rachel Eliza (with the reunion series talisman) |
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Tom, photographing the Go-Go-melon |
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Tom's portrait of me, with self-portrait |
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