This past Tuesday I got word that poet Sekou Sundiata (1948-2007) had passed. Many poets and activists I know revere him and his work; I must admit that though I'm personally familiar with only a little of his work, mainly from Russell Simmons's Def Poetry. Over the last two decades, although I've heard many (but not all, certainly) of the important African-American poets of the two or three generations preceding mine read and perform their work live, I never had the opportunity to do so with Sundiata. I do know that he was one of the polestars for contemporary performance (though he did not consider himself a "performance poet") and Spoken Word poetry, and that two of his works in particular, The Blue Oneness of Dreams and longstoryshort, had a particularly powerful influence through their skillful, soul-filled melding of various musics, lyric and narrative poetry, and staged performance. Over the years, he toured with musicians such as Nona Hendryx, David Murray, and Craig Harris; one of his students who went on to great frame and recorded with him was Ani DiFranco. At the time of his death, Sundiata, a Harlem native who was a professor in the writing program at Eugene Lang College of New School University, in New York, had launched his newest work, the 51st (dream) state, a multimedia project that addressed the question of Americanness in the wake of the September 11, 2001 terrorist attacks.
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