Sunday, February 02, 2025

Celebrating Nikki Giovanni at the Center

Yesterday, the Publishing Triangle, in collaboration with the bookstore Bureau of General Services-Queer Division (BGSQD), held a marvelous tribute to open Black History Month: "OutSpoken: A Tribute to Nikki Giovanni," honoring the essential poet, writer, teacher, intellectual, publisher, militant, and activist, who passed away last December 9, 2024, at 81. Nikki Giovanni gained public acclaim as one of the most important women and feminist thinkers and voices in the Black Arts Movement of the late 60s and early 70s, publishing her first two volumes of poetry, Black Thought, Black Feeling and Black Judgment, in 1968. She would go on to published scores more books, including poetry, essays, children's books, and more, including spoken word albums, and receive a vast array of honors for her work, including an American Book Award, the Ruth Lilly Prize, the Sankofa Freedom Award, and countless others.  She also became an influential teacher, at Virginia Tech, where she taught for 35 years, and at Cave Canem (how I wished I'd been there when she was teaching there!).

 

Hosted by the incomparable Emanuel Xavier, the event featured readings by leading queer poets Cheryl Boyce-Taylor, Reginald Harris, Darrel Alejandro Holnes, JP Howard & UGBA, and a Drag Queen Story Hour performance by none other than Harmonica Sunbeam. (The last time she participated in a Drag Queen Story Hour at the Center, as she reminded those present, back in March 2023, the event, which also featured New York State Attorney General Tish James, occasioned a minor media firestorm. There were no such disturbances on this night.) The readers each selected a poem by Giovanni, who has become iconic for several generations of poets, particularly Black queer and activist poets and other artists, and shared their own work, each before a beautiful still image of Giovanni during various stages of her life. Each aspect of this event would have made Giovanni feel truly loved and honored. "OutSpoken" also interspersed clips of readings by and interviews with Giovanni, bringing her actual voice into the room. 

A video clip of Nikki
Giovanni reading her work

Having taught her poetry once again last fall as part of my Black Arts Movement course, I was curious to see if anyone--or rather felt it likely that no one--was going to read some of her most rousing and incendiary early poems, particularly "The True Import of Present Dialogue, Black vs. Negro (For Peppe, Who Will Ultimately Judge Our Efforts," which is to say, the poem that begins "N****r / can you kill...." No one did, of course--and I want to say that Giovanni even left the poem out of her Selected Poems and Collected Poems, though I may be wrong on both accounts. My students this past semester, like students the prior time I taught this course, and like my own young self when I first read "The True Import," found that poem shocking, electrifying, disturbing, and yet so relevant, even decades later, for successive current moments. Giovanni wrote a follow-up poem, "My Poem," in which she basically says that she was already paying a price--political harassment, isolation, and so on--for writing "The True Import," but that, nevertheless, nothing would or will stop the revolution. 

In some ways she was right, while in other ways, the Civil Rights and Black Arts Movements did not achieve the goals many of its leading figures hoped for, though revolutions--cultural, political, social, psychic, if not economic--did occur and continue to resonate, and Giovanni, through her words, actions and life, was one of the people who made these transformations possible. Reggie Harris made a point in his remarks to note how Nikki lowkey affirmatively responded to a query about her partner and wife, now widow, Virginia Fowler, which was an effective and thoughtful way, I thought, to broach how Giovanni approached the subject matter of queerness and queer sexuality. Sex and love--for she is one of the great American poets on and of love--appear throughout her work, and her approach to queer desire and love increasingly appear in later work.


A few photos from the event--enjoy! (I would have posted a video of UGBA performing but unfortunately the video button here isn't working.)

Host Emanuel Xavier

Reggie Harris

 
Samiya Bashir

JP Howard

Cheryl Boyce-Taylor

Darrel Alejandro Holnes

UGBA

The one & only
Harmonica Sunbeam









Friday, January 03, 2025

51st Annual New Year's Day Marathon Reading at the Poetry Project

For the first time ever, I participated in the 51st Annual New Year's Day Marathon Reading at the Poetry Project at St. Mark's Church. This year's event, like earlier ones, aimed to raise funds for the Poetry Project's numerous poetry-related efforts, including underwriting the Poetry Project's numerous readings throughout the year, its quarterly Newsletter, its various educational programs, and payment of readers and performers. 

 There was also a book fair, featuring some of the best poetry books you could find anywhere, as well as rare gems, broadsides, posters, etc. and food and beverages. The event drew over 1,000 people in person (I made sure to mask up when I wasn't reading) and 1,400 online, which I think was a very good turnout to start 2025.

I'm sharing a few of the photos I took that give a sense of the event, which is always a bit raucous. In the 3-4 pm session helmed by Nora Treatbaby, I read three poems, one by the late Palestinian poet and activist Refaat Alareer (1979-2023), killed during the current genocide in Gaza, the second by the late Nikki Giovanni (1943-2024), one of my favorite poets in my youth, and the third a poem of my own about anti-war protesting, which felt appropriate for now (when is it not ever the right thing to share?). The readings and performances were various, striking and worth catching, and I was able to capture a few images below.

The .gif version of the flyer

 



Some photos:

In front of St. Mark's Church

The Poetry Project book fair

Food & drinks


Christian Nyampeta

Lauren Bakst

The audience

A packed St. Mark's

Benjamin Krusling

Setting up between sets

An enthralled audience

Bob Holman

CA Conrad, as Jeannine Otis sings (beautifully!)


One of the Marathon reading co-founders,
 Anne Waldman

Jonathan Gonzalez

Precious Okoyomon

The reading sardine

Foamola

Nazareth Hassan (I think)


Wednesday, January 01, 2025

Happy New Year / Happy 2025

HAPPY 2025!

May this upcoming year make all good things better & bring us all a large measure of peace!

Happy New Year!

Feliz año nuevo
Feliz Ano Novo
Bonne année
Buon Anno e tanti auguri
Kull 'aam wa-antum bikhayr
Aliheli'sdi Itse Udetiyvasadisv
Na MwakaMweru wi Gikeno
Feliĉan novan jaron
聖誕快樂 新年快樂 [圣诞快乐 新年快乐]
Bliain úr faoi shéan is faoi mise duit
Nava Varsh Ki Haardik Shubh Kaamnaayen
Ein gesundes neues Jahr
Mwaka Mwena
Pudhu Varusha Vaazhthukkal
Afe nhyia pa
Ufaaveri aa ahareh
Er sala we pîroz be
سال نو
С наступающим Новым Годом
šťastný nový rok
Manigong Bagong Taon sa inyong lahat
Feliç Any Nou
Yeni yılınızı kutlar, sağlık ve başarılar dileriz
نايا سال مبارک هو
Emnandi Nonyaka Omtsha Ozele Iintsikelelo
Subha Aluth Awrudhak Vewa
Chronia polla
Szczesliwego Nowego Roku
Kia pai te Tau Hou e heke mai nei
Shinnen omedeto goziamasu (クリスマスと新年おめでとうございます)
IHozhi Naghai
a manuia le Tausaga Fou
Paglaun Ukiutchiaq
Naya Saal Mubarak Ho

(International greetings courtesy of Omniglot and Jennifer's Polyglot Links; please note a few of the phrases may also contain Christmas greetings)